• Folaranmi, S. 2020. Metaphor in local architecture. Panelist on the 2020 Virtual Interactive Series organised by the Architecture & Urbanism Research Hub, 老虎机游戏_pt老虎机-平台*官网 of Lagos, Nigeria, 25 June 2020

• Hwati, M. 2020. On Ngoromera and Sculpture as Sound. An online interview by Mayela Rodriguez.UMMAMuseum:https://www.youtube.com/watch?v=VD_G4EuXXQM&feature=you tube

• Hwati, M. 2020. Carbonara, M & The A.W.E Society. 2020. Live broadcast: improvisation with vibraphone, voice, movement and snare. Tympanum Michigan: https://www.youtube.com/watch?v=ObAHgMCG_sE&app=desktop

• Ijisakin, T. 2020. African Studies Association’s 63rd Annual Meeting, held virtually between November 19-21, 2020. The title of the work I presented is “Female Forms as Visual Narratives: A Critical Analysis of Selected Works of Printmakers in Nigeria

• Muchemwa, F. V. 2020. We Buried Us. Rapid Response: https://en.calameo.com/artafrica/read/004836191acca3a94a642?authid=aLKxVomwf Pft (Art Africa's digital edition).

• Muchemwa, F. V. 2020. Kwandinobva. Mostaff Muchawaya's solo exhibition at SMAC Stellenbosch: https://smacgallery.com/exhibition/mostaff-muchawaya-kwandinobva/

• Muchemwa, F. V. 2020. ICI alumni for the Independent Curators International exhibition. Notes forTomorrow: https://curatorsintl.org/exhibitions/notesfortomorrow#:~:text=%20Notes%20for%20Tomorrow%20%201%20INVASORIX%2C%20Nadie, 1440x1080%2C%2024fps%2C%2050Mbps%29.%20Courtesy%20of%20the...%20More%20

• Muchemwa, F.V. 2020. Gladys Kalichini….these gestures of memory (Catalogue), Verlag Kettler, Germany.

• Mulenga, A. 2020. Mulling over Art with Andrew Mulenga weekly column in The Mast Newspaper (Print run 50,000 copies countrywide and Mast Online: https://www.themastonline.com/author/andrewmulenga/

• Mulenga, A. 2020. Dhaka Art Summit Catalogue, published by the Samdani Foundation, Dhaka, Bangladesh

• Muvhuti, B.T. 2020. Coded Inscriptions: Blessing Ngobeni's Chaotic Pleasure. ARTTHROB_: https://artthrob.co.za/2020/07/06/coded-inscriptions-blessing-ngobenis-chaotic-pleasure/

• Muvhuti, B.T. 2020. Aaron Samuel Mulenga: The Power of Black Art and Representation. Sugarcane Magazine: https://sugarcanemag.com/2020/06/aaron-samuel-mulenga-the-power-ofblack-art-and representation/?fbclid=IwAR0eJ352E5kv4LdvF3gal19ci7A3z8IIqF1hOKyV7fVoCHE8DEKxd3 1rCug

• Muvhuti, B.T. 2020. Essential Work: Jabulani Dhlamini's 'the everyday waiting'. ARTTHROB_: https://artthrob.co.za/2020/09/21/essential-work-jabulani-dhlaminis-theeveryday-waiting/

• Muvhuti, B.T. 2020. From the Vault, part of the Stellenbosch Triennale: An interview with curators Gcotyelwa Mashiqa and Mike Tigere Mavura. AFRICANAH.ORG: https://africanah.org/from-the-vault/

• Muvhuti, B. T. 2020. Virtual National Arts Festival a blow to the economy of Makhanda. City Press:https://www.news24.com/citypress/Voices/virtual-national-arts-festival-a-blow-to-theeconomy-of-makhanda-20200422

• Muvhuti, B. T. 2020. Aaron Samuel Mulenga: The Power of Black Art and Representation. Sugarcane Magazine: https://sugarcanemag.com/2020/06/aaron-samuel-mulenga-the-power-ofblack-art-andrepresentation/?fbclid=IwAR0eJ352E5kv4LdvF3gal19ci7A3z8IIqF1hOKyV7fVoCHE8DEKxd3 1rCug

• Muvhuti, B.T. 2020. Wallen Mapondera: An exhibition which translates ordinary Zimbabweans' survival strategies in the face of economic hardships. AFRICANAH.ORG: https://africanah.org/wallen-mapondera-2/

• Muvhuti, B.T. 2020. Ronald Muchatuta: Tackling African Migration - a contentious social issue of our time. Published by The Melrose Gallery for the 2020 Stellenbosch Triennale.

• Tello V and Baker Smith, D. 2020. ‘Origins, Openings and Orifices’, performance lecture for the National Gallery of Australia, July 11 2020 [delayed due to Covid-19].
• Simbao, R. 2020. Plenary Talk: "Resisting Soft Power, Subverting Solidarity: Visual Narratives of Chinese Presence in Zambia". AfricAsia: Overlooked Histories of Exchange, a collaboration with the National Museum of African Art, 14-16 September 2020. (Online Symposium).

• Zhang, L and Yuan, M. 2020, “Cold War, Afro-Asia Literature Movement and the translation of African Literature in China”, The Paper. Available at: https://www.thepaper.cn/newsDetail_forward_8788202.

• Barnabas Ticha Muvhuti in conversation with Zimbabwean artist Kresiah Mukwazhi. 2019. Africanah.org

• Barnabas Ticha Muvhuti in conversation with the South African artist Viwe Madinda. 2019. Africanah.org

• Site of Memory: Berni Searle’s ‘A Place in the Sun, Berni Searle. Arthrob, By Lifang Zhang & Barnabas Ticha Muvhuti, 2019

• African Sculpture. Takadiwa's mission is to change the world through unique art: The Zimbabwean artist uses remnants of consumables such as perfume containers and bottle for his trademark sculptures, Business Day, 4-5 October 2018, By Barnabas Ticha Muvhuti

• Artworks speak where words fail, The Herald, 7 September 2018, by Brunn Kramer

• Igniting public space at the Chale Wote street art festival in Accra, 2018, by Ruth Simbao

• Installation view: Chale Wote Festival 2018 (The 8th Chale Wote street art festival took place in James Town, Accra in Ghana from 20 – 26 August 2018), by Ruth Simbao

• Capturing the Soweto Uprising: South Africa’s most iconic photograph lives on, 2018, by Ruth Simbao

• Interview with Zimbabwean born artist Richard Mudariki, Malta ArtPaper, (Feb-April 2018 issue), pp.29-30, Interview by Barnabas Ticha Muvhuti

• Art auction houses: the National Arts Festival’s sore thumb!, 2018, by Barnabas Ticha Muvhuti

• Does overexposure of the black female body draw it closer to a sell-by date?, 2018, by Andrew M. Mulenga

• Black Privilege, 2018, by Andrew M. Mulenga

• Gathering Strands, 2018, by Andrew M. Mulenga

• Of existential angst and F-bombs, 2018, By Andrew M. Mulenga

• My Experience of the National Arts Festival 2018, 2018, by Aaron Samuel Mulenga

• The Complexity of Erasure: Omogbai’s Absence, 2018, by Gladys Kalichini

• Black modern art exhibited outside the De Beers Centenary Art Gallery for the first time, 2018, by Barnabas Ticha Muvhuti 

• Conversations around the Fort Hare Artistic Collection and the Umtiza Arts Festival, 2018, by Stephen Folaranmi   

• Pemba's prodigal sons: Exegeses for forgiveness?, 2018, by Andrew Mulenga

• Opening of the exhibition De Beers Centenary Art Collection Revisited in East London , 2018, by Lifang Zhang

• Review of Lucas Sithole’s Manzitoti (1985) and Mother and Child (1963), as part of the De Beers Centenary collection at the Ann Bryant Main Gallery, 2018, by Natasha Bezuidenhout

• The Art of Life in South Africa by Daniel Magaziner Ohio 老虎机游戏_pt老虎机-平台*官网 Press, Athens, Ohio. New African Histories series, 2016. 377 pp., by Eyitayo Tolulope Ijisakin, African Arts, Autumn 2018, Vol. 51, No. 03, pp. 95–96

• Yoruba Studies Review volume 2 (2), 2018, review by Stephen Folaranmi 

• Publications, art criticism, research may help ascribe value as demand for contemporary African art increases, 2018, by Andrew Mulenga

• Impressions: Andrew Tshabangu's Footprints?, 2017, by Philiswa Lila

• Overlaps and Organisms: Beth Diane Armstrong’s ‘in perpetuum’: Beth Diane Armstrong, 2017, By Jean-Sylvain Tshilumba Mukendi

• Singing History: Dineo Seshee Bopape’s ‘Sa Koša Ke Lerole’: Dineo Seshee Bopape, 2017, by By Jean-Sylvain Tshilumba Mukendi

• Bearers of Memory: Georges Senga Assani’s ‘Cette maison n’est pas à vendre et à vendre’: Georges Senga Assani, 2017, by Jean-Sylvain Tshilumba Mukendi

• A Song of Uhuru and a Difficult Dance: Anawana Haloba’s Sound Memories of TAZARA , 2017, by Ruth Simbao 

• Street Slang and Visual Improv: Gareth Nyandoro’s Kuchekacheka (Armory Show, New York, 2017)Street Slang and Visual Improv: Gareth Nyandoro’s Kuchekacheka (Armory Show, New York, 2017), by Ruth Simbao and Masimba Hwati 

• Located on an Oblique Slanting Line: Thania Petersen’s Remnants (2017) Exhibition text for Remnants (Everard Read Gallery, Cape Town, South Africa), by Ruth Simbao

• Performing Stillness in Order to Move: Mohau Modisakeng’s Becoming (2016), by Ruth Simbao 

• Portraits of ‘the deathlessness of cloth’: Leonce Raphael Agbodjélou’s Egungun Masquerades series (2015), by Ruth Simbao

• Positioning Noko: Unearthing the ‘cosmo’ in the ‘local’, by Ruth Simbao

• ‘‘Africa’ and consumption in a vertiginous world (Cape Town Art Fair Special Project), by Ruth Simbao

• Cleansing via the senses as eyesight follows the soul: Igshaan Adams’ “Bismillah” performance (2015), by Ruth Simbao

• Review of Figures & Fictions: Contemporary South African Photography exhibition catalogue edited by Tamar Garb (2012), by Ruth Simbao 

• A sense of pause: Ruth Simbao interviews Nandipha Mntambo (Standard Bank Young Artist Award Exhibition Catalogue, 2011)

• Afri thing is not what it seems / A cena Afri nao e o que parece / El panorama afri no es lo que parece (longer version). Portuguese, Spanish and English. Gulbenkian Foundation, by Ruth Simbao 

• Umtshotsho: Nicholas Hlobo at Monument Gallery, by Ruth Simbao 

• James Webb, One day, all of this will be yours, by Ruth Simbao

• Infecting the City (Performance festival review, 2009), by Ruth Simbao 

• Bili Didjocka and Meshac Gaba at Goodman and Stevenson, South Africa (2009), by Ruth Simbao

• Berni Searle review (Stevenson Gallery, Cape Town), by Ruth Simbao

• Konse Kubili (Kalinosi Mutale and Anawana Haloba) Exhibition Review, Henry Tayali Art Gallery, Lusaka, Zambia, by Ruth Simbao

Last Modified: Wed, 01 Dec 2021 11:47:34 SAST